Fifteen inlays stored safely in the plastic sheet |
The laser left yellow staining |
The logos were much more dainty than I had imagined when looking at the printed artwork. Some of the out-strokes connecting the letters were dangerously thin. They would require careful handling. In the future when I started my sixteenth guitar I would have to design a more sturdy logo before sending it off to Adrian and the Guitarlogo-Inator.
Some careful brushing cleaned off much of the staining. Note the fragile joints between the letters |
The inlays had a smokey yellow tint around the edges, as if they had been scorched by some sort of electromagnetic radiation. I carefully cleaned an inlay with a toothbrush (don't tell my wife), and much of the yellow staining came off. I figured that since the logo would be buried in black epoxy and then sanded flat on its face the discoloration would not be a problem.
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